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Piping Times

May 1998

May 1998

clear. The opening phrase 1 starts from C sharp and ends on the E-A cadence; in modern terminology it is "in the key of A major"; the next phrase 0 plays mainly on the notes B and D and ends with the D-low G cadence. Then comes a repeat of phrase 1, then a new phrase consisting entirely of B's a


Piping Times

May 1998

May 1998

where the difference between 1 and 0 is in one note only, low A in 1, low G in 0. But strain 1 is a different matter. With only moderate editing the different sets can be adjusted to give the version shown in Figure 3. It is the MacDonald setting which needs the least amendment,20 while in the o


Piping Times

May 1998

May 1998

way, bar 5 starts on high G and ends on D: it is another bar "in G"; bars 6, and 7 are repeats of previous bars; and the last bar which is different again, features mainly notes E and A and is "in A". Thus the second half of the line runs GAGA. Expressing it again in numbers, the pattern of the


Piping Times

May 1998

May 1998

each one as shown in Figure 2 below. For further details see Note 19 below. Figure 1 is a comparison of the melody notes of strand 1, in all the sources.19 To get the best correspondences between them it is necessary to shift parts of them along and leave gaps, especially in the Gesto and MacKa


Piping Times

May 1998

May 1998

tish DIV. OF THOMAS DONALOSON LTD. EST. 1965 struments: D. Naill, MacLeod, R.T. Shepherd & Son, McCallum. Standard and full-size practice chanters. Premier Drums & Accessaries. Musk Books: P/M William ivingstone, P.M. M. Grey, B. Gandy, k. Worrall, Scots Guards I & II, Gordon Highlanders I


Piping Times

May 1998

May 1998

with later repetitions, and with the repetitions of the number 0. In summary, the bars labelled 1 tend to emphasise the notes B, E and G, while the bars labelled 0 emphasise the notes A, D and F(sharp). We can hear the same two tonalities contrasted in modern tunes. In the first part of The Litt


Piping Times

May 1998

May 1998

The Lament for Colin Roy MacKenzie, in its original form before it was revised by Angus MacKay .5>6 In the present case the Piobaireachd Society editors suggested yet a third possibility: that the Ground and variations were by the same composer but deliberately made different to show that Scotla


Piping Times

May 1998

May 1998

The Lament for the Union: Do the Variations Make Sense? Roderick D. Cannon The Lament for the Union was one of the more popular tunes offered at the early piobaireachd competitions in Edinburgh, but by the time it came to be published by the Piobaireachd Society in 19361-2 it had fallen by the


Piping Times

May 1998

May 1998

Lunchtime Recital at Edinburgh University During the academic terms it has been the policy of the Science and Engineering Faculty for some time to hold lunchtime Talks or Musical Recitals and the Faculty very kindly made available March 18th for a Piobaireachd recital. The venue was the Michal


Piping Times

May 1998

May 1998

MURRAY HENDERSON FOUR TIMES GLENFIDDICH CHAMPION HENDERSON REED MAKER P.O. BOX 3 • KIRRIEMUIR ANGUS DD8 4YF • SCOTLAND CANE DRONE REEDS: Winning at the highest level - solo and band PIPE CHANTER REEDS: Volume and durability NAILL POLYPENCO PIPE CHANTER: Solo or band NAILL PIPES & CHANTE


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James Beaton

Captain Stuart Samson

Captain Stuart Samson

Sergeant with the Dundee City Police and he sort of became, I would say, my main sort of teacher who really brought me to where I was as a player before I went on to join the military. Norman was very, very strict, a good teacher and really made sure that I covered all the bases and the b


James Beaton

Captain Stuart Samson

Captain Stuart Samson

This is James Beaton for Noting the Tradition. It’s Friday the 28th of April 2012 and I am speaking to Stuart Samson who was formerly the Director of Army Piping and is now a teacher at the National Piping Centre. Stuart, welcome to the interview. Good morning James, I am looking forward


James Beaton

Captain Stuart Samson

Captain Stuart Samson

NOTING THE TRADITION An Oral History Project from the National Piping Centre Interviewee Captain Stuart Samson MBE Interviewer James Beaton Date of Interview 28th April 2012 This interview is copyright of the National Piping Centre Please refer to th


Mags Smith

Annie Grant

Annie Grant

Well that’s superb. Thank you so much. You’re very welcome. It’s been lovely to hear. I’m sure there’s more I can ask you. I might think of more over lunch. I know we had a discussion at the beginning about the actual musical side of it. Well I’ll switch this off


Mags Smith

Annie Grant

Annie Grant

It’s apparently very good for asthma because you’re blowing out all the time. I used to have a lot of children in my band who were asthma sufferers and had inhalers and it did help them. It controlled their breathing out. Since I stopped playing over the past few years I seem to have


Mags Smith

Annie Grant

Annie Grant

Because you all want to look alike. I always had a tartan skirt, a wee waistcoat and a white blouse. Great, great. That’s good to hear that it’s never been a problem. That’s really heartening to hear. You find too that, alright your pipe may not be as loud and heavy as a man’s


Mags Smith

Annie Grant

Annie Grant

I’ve probably been very lucky with my experiences in that line. I think some women have come across some antagonism but I’ve been lucky. Even in the RSPBA they couldn’t have been more helpful. Is that the organisation that actually doesn’t allow women? No I was the first lady p


Mags Smith

Annie Grant

Annie Grant

It obviously didn’t stop you. That is the way they’d been schooled. That is their way and they’re entitled to their opinion. Did it ever stop you entering a competition? No, never. One time women couldn’t enter competitions. I was reading something about that. There wer


Mags Smith

Annie Grant

Annie Grant

You’re all part of the clan. That’s all that matters you know. It sounds lovely. It is lovely. I feel still strongly part of it even though you kind of move from one thing to the next and you move in a different direction but piping’s piping. Great. I know I’m so tha


Mags Smith

Annie Grant

Annie Grant

successes. It’s the same with these school pipe bands. They come in circles, some years you have really good bands and then other years you’ve come in bottom and you’re starting again. It’s just the mix of players you have and the attitude of these pipers and then latterly I got a


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The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

National Cash Register, November 1967, Dundee.


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, 1962. Piper R Lawson resplendent in the final development of the VNPB uniform.


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, July 1960, Amsterdam, Holland, Fair Fortnight posing with the Batavia Drumband. VNPB members recognised L-R J A (Archie) Templeton, J Patterson, A Bell, J Imray, R Jackson, W Wright, M Dickson, A Shaw, W Stevenson, G Pirrie, A McLuskie, R Dickson, J Porter, J Barclay, R Lawson, I Nix


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, August 1960, Cowal Games, Dunoon. L-R Players visible J A (Archie) Templeton, A Bell, R Lawson, I Nixon, W Wright, J Thomson.


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, 1960, Woodpark school. L-R Back row – J Forsyth, G Pirrie, A Shaw, 2nd row – A McLuskie, R Fotheringham, R Dickson, 3rd row – J Imrie, J Porter, R Jackson, R Lawson, W Wright, Front row – J A (Archie) Templeton, I Nixon, J Barclay, J Dickson, R Brown, A Bell, J Thomson, J Hor


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, 1960, Woodpark school. L-R Back row – R Fotheringham, A McLuskie, J Forsyth, R Dickson, 2nd row – G Pirrie, A Shaw, 3rd row – J Imray, W Wright, R Jackson, J Porter, 4th row – J Barclay, I Nixon, A Bell, R Lawson, Front – J A (Archie) Templeton, J Dickson, R Brown, J Thomso


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, 1958, Woodpark school. Players recognised L-R Back row - , A McLuskie, J Forsyth, R Fotheringham, 2nd row – A Shaw, , G Pirrie, 3rd row – Jim Imray, J Gormley, , J Porter, 4th row – W Wright, R Jackson, A Bell, R Lawson, Front row – J A (Archie) Templeton, J Dickson, I Nixo


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, 1958. Woodpark school. Players recognised L-R Back row – R Fotheringham, J Forsyth, A McLuskie, Second row – J Porter, R Lawson, A Shaw, W Rankine, A Bell. Front row – J A (Archie) Templeton, J Gormley, W Wright, J Dickson, I Nixon, J Imray, J Thomson, T Kane.


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, September 1958, Dunblane contest, Dunblane. L-R Players visible J A (Archie) Templeton, J Gormley, J Imrie, W Rankine, W Wright, G Pirrie, R Jackson, I Nixon, A Shaw, J Porter, R Lawson, J Thomson.


The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

The Vale of Nethan Pipe Band & Pipe Major James Archibald Templeton

Vale of Nethan, June 1958, Lanark Lanimers, Lanark. L-R Some players can be identified. J A (Archie) Templeton, R Lawson, W Wright, J Thomson.


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The National Piping Centre exists to promote the study of the music and history of the Highland Bagpipe. Patron HRH The Prince Charles, Duke of Rothesay, KG, KT, GCB. Founders: Sir Brian Ivory CVO CBE FRSE MA CA - Lady Oona Ivory DL MA ARCM FRSA - Sandy Grant Gordon CBE MA


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